zhasbeen, on 2018-May-10, 14:13, said:
My objective when I started this thread is pretty much described in the heading. Venting of some frustrations has been a byproduct.
I don’t consider myself to be a BBO basher or a chronic complainer. When I realized that I was moving in that direction I stopped posting. I’d much rather play than complain, and have. However, I believe that BBO is making a mistake by continuing to go with GIB for the indefinite future, unless there is more proof that the problems can be fixed than what most of us have seen so far.
I am aware that there is no easy solution, and replacing all the GIBs would not be cheap. It might not even be possible, but keeping an open mind to change would be a start. Maybe it could be done more gradually than all it once.
If BBO actually believes that GIB can be fixed, don’t keep us in the dark about what the next upgrade is going to correct, and give us a reasonable approximation of when. I’m all for fixing up ol’ GIB if I can see noticeable improvement in some of his more serious flaws.
In addition to fixing the wild jumps to slam, here’s another recurring problem hand type. It would be an understatement to say that GIB does not handle two-suiters well. A robot can not claim to play bridge and bid this way. Anything that calls itself an upgrade has to correct these 2 problems, imo.
More accurate definitions would be right up there.
http://tinyurl.com/ya4akhbv
http://tinyurl.com/y7h7rjes
http://tinyurl.com/yb52y5fw
I’d much rather find something to cheer about than complain
zhasbeen
Hand 1 i think your bid is 3H over 2S bidding out your shape. This has worked very well for me. I rarely reverse without a stiff though.
Hand 2 you have 18 HCP, yet 1 NT. When dealing with GIBidiot I try to be as explicit as possible. After 3D, nobody would fault you for bidding 4D.
Hand 3 my sympathies. Who knows what GIBBO's addled brain is thinking. I would bid 3C. Looks like GIBidiot considers 2S as forward going and showing 5.
I could be wrong on the third one and it is a bug.
vrock